I’m sitting down to write something. And it’s gonna be the shit.
What to write about? Nonfiction—no that requires a lot of reading, too late to start now. How about a nice story? That’s right. When I get up, I’ll have a novel…that inspires tears…from Hemingway…in a fetal position cursing god for making me more talented. I need characters, plot arcs, story lines, a central theme…
You know that non-fiction idea is looking better and better—the heart wants what it wants.
What do I begin with? Lesser men choose titles, rough measures of article size—but I’m not a wimp. First, the font. Because the only thing worse than getting kicked in the nuts is writing a treatise on macroeconomics that’s a Nobel shoo-in only to learn that Stockholm despises Helvetica. (Why do you think they bumped me for Krugman?) Too many choices, but I’ll know it when I see it.
I keep going from Georgia to Courier New to those special typewriter fonts I downloaded from dafont.com and all the way back to Georgia. Times New Roman? What am I, an animal? But I admit that Times New Roman tempts me like Jon Hamm probably does to Ted Haggard. No, I need the right font. Courier New is the best—everything I write looks serious. Like a philosopher who’s finally decided to make metaphysics his bitch.
Or does it? What if I just look pretentious like those people who drink Chardonnay and say things like avant-garde and milieu?
I imagine myself as a heroic Thomas Jefferson punching declarative statements on a typewriter before realizing that Jefferson died forty years before the typewriter was invented.
So everything he wrote was by hand. How did he get past the first sentence? How come no one crushed his spirit by saying, Your ‘s’ looks like an ‘o’? (Yes, I’m looking at you mom.)
No, Courier New won’t cut it. Who am I kidding? I routinely end sentences with prepositions, and I recently declared my closet desire to shamelessly split infinitives, and I used ‘who’ instead of ‘whom’ in the previous sentence. I need a non-prescriptivist font, preferably one that doesn’t smell too Victorian. (Not that I know what Victorians smelled like, but I hear they showered sporadically.)
I can’t think straight until the words staring at me look alright. That’s how Christopher Hitchens did it right? May his soul rest in…wait, what?
Maybe the font is fine, what about the screen brightness? I don’t want it too bright, do I? A soft light that prevents eye-strain without making me squint is what I need. But first, some music. Nothing but the soft gentle stirrings of Adele to boost creativity. Did I say Adele? I meant Metallica, with beer, and a shotgun.
Alright, so that episode of Breaking Bad was awesome, but I really need to write now. Hell, no way I’d have been this inspired if I’d started typing away without … you know … inspiration. Hey, how about this for a story — a guy with a low-profile life in Smalltown, USA gets cancer and decides to cook meth…no wait…I’m getting close now, the idea is not far away. Come on…
I can’t be creative on an empty stomach. I need some Chinese. All that stops me from being Tom Wolfe is sesame chicken with pork fried rice. Great, no cash, meaning I have to tell my credit card number to the post-doc at Hunan palace who likes to repeat every digit loudly, his accent disappearing with every number. But he forgets the chicken wings every time.
I guess I’ll resume after dinner.
That’s it. I’m not getting up until I write something of value. I almost sympathize with people now—how empty and bourgeoisie their sundry lives will seem after reading my outpourings? But should I write now? My mind isn’t the sharpest after bingeing on Chinese. The people deserve better; I’ll start writing tomorrow early morning, fresh. By 8 am, I’ll be emailing the New York Times.
Is Courier New really the right way to go?
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